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Indie

November 2025

  • Gary ‘Mani’ Mounfield performing with the Stone Roses at the V Festival in Staffordshire, August 2012.

    Gary ‘Mani’ Mounfield obituary

  • F&M: why Ireland has the most exciting indie music scene in the world right now

    ‘We’ve got to release the dead hand of the past’: how Ireland created the world’s best alternative music scene

  • Mani plays with the Stone Roses at Wembley Stadium in 2017.

    Gary ‘Mani’ Mounfield, the Stone Roses and Primal Scream bassist, dies aged 63

  • A portrait of Mani in November 2014

    Gary ‘Mani’ Mounfield: a life in pictures

    Gallery16

  • Mani’s writhing, relentless bass was the Stone Roses’ secret sauce – it taught indie kids how to dance

    Alexis Petridis

  • Not Mariah again! New music playlists for the Christmas party season

  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller

  • Ranked
    A voice that still carries: Aimee Mann’s greatest songs – ranked!

  • Film & Music reader interview
    Post your questions for Geoff Barrow, of Portishead, Beak> and more

October 2025

  • Katie and Allison Crutchfield.

    Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman

  • ‘The memories are the same’… Dev Hynes.

    ‘It’s scary how many St George’s flags there were’: Blood Orange on coming home to Essex and mourning his mother

  • Joanna Newsom Performs In Berlin

    Ranked
    Where’s her Pulitzer already? Joanna Newsom’s 20 best songs – ranked!

  • The Last Dinner Party.

    The Last Dinner Party: From the Pyre review – baroque’n’roll band’s speedily released second album is overheated

  • Sam Fender wins 2025 Mercury prize for his album People Watching

  • The Fiery Furnaces reissue a cult classic: ‘We knew we wouldn’t seem like an also-ran NYC band in leather jackets’

  • Hannah Frances: Nested in Tangles review – ramshackle arrangements power restless revelations

  • How we made
    ‘The lyrics were throwaway. I never intended keeping them!’ How Feeder made Buck Rogers

  • The Kooks review – a triumphant and touching mass singalong

  • Sigur Rós and the London Contemporary Orchestra review – crashing waves of refined harmony

September 2025

  • Geese

    Geese: Getting Killed review – Cameron Winter and co’s surreal, swaggering spectacular

    Opaque but brilliant, the Brooklyn indie-rock band’s fourth album is full of the dread and dark absurdity of our current moment
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