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Classical music

November 2025

  • Jake Ingbar (Armindo) and Katie Bray (Rosmira) in Partenope at the London Coliseum.

    Partenope review – edgy and erotic Handel update

  • Pianist Seong-Jin Cho gives the world premiere of Donghoon Shin’s Piano Concerto with Maxime Pascal conducting the LSO.

    LSO/Pascal review – from an effervescent marimba to funeral gongs in compelling new music concert

  • Balls at Royal Festival Hall, London.

    Battle of the Sexes review – tennis’s most famous match becomes kitschy, pacey opera

  • Edward Gardner conducting the London Philharmonic Orchestra, 2024

    Elgar: The Dream of Gerontius album review – Gardner and the LPO’s reading is bold and dramatic

  • Brahms: Symphony No 1, Tragic Overture album review – Petrenko and the Berliners give Brahms organic momentum

  • Out of the shadows: why Avril Coleridge-Taylor deserves to be heard

  • CBSO/Vänskä review – weird brilliance and neurotic tics in a compelling programme

  • Víkingur Ólafsson: Opus 109 album review – pianist’s concept album opens up transcendent vistas

  • Letter: Adrian Sutton obituary

  • Moving beyond bar lines: composer Nico Muhly on dancers reimagining his music

  • Two long-lost organ pieces by JS Bach performed for first time in 300 years

  • ‘Two more broomsticks please!’ Was James Blades the greatest percussionist ever?

  • The Devil’s Den review – folk horror opera with morris dancing and a sinister rabbit is an eccentric delight

  • From the Met to maximum security: Joyce DiDonato is on a mission to bring opera to the people

  • Trouble in Tahiti review – vibrant staging of Bernstein’s one-acter of marital discord

  • Le Poème Harmonique: Hail! Bright Cecilia album review – Purcell’s ode shines in luxurious French recording

  • Schubert 4 Hands album review – affectionately searching accounts from two pianists in emotional synergy

  • Bavarian Radio SO/Rattle review – consistently fine and fervent playing

  • ‘We got hate mail after the Proms!’ The towering visions of UK jazz legend Mike Westbrook

  • Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due

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